Low Spectrum II
Low Spectrum II

2019-20

Concrete, acrylic paint, and hard acrylic molding paste on wood panel, shelf, house paint

13" x 96" (installation) 6" x 8" (each panel) 3" x 2" (each foot)

All Photos by Jennifer Colten

Low Spectrum II
Low Spectrum II

With this work, I created a series of 13 text paintings placed onto feet fabricated by Erik Peterson. The series color palette is based on the one created by Ellsworth Kelly in his series Spectrum II (1966-67), which can be found at the St. Louis Art Museum. The work responds to Kelly’s notion that “color is enough” when it comes to bringing out an emotional response from the viewer.

Low Spectrum II
Low Spectrum II

I’ve always believed that most viewers make meaning or narrative when confronted by work that presents none. The text paintings' sources are as varied as articles about AndreaFraser and David Hammons, my own life/artwork, misremembered lines from poetry and short stories, and museum text panels. 

Low Spectrum II
Low Spectrum II

The series was originally made for an exhibition I curated at Monaco, an artist-run space I help run. The gallery is located at 2701 Cherokee St, St. Louis. The exhibition ran from February 7 - March 6th.

Low Spectrum II
Low Spectrum II

How the work was installed. Work on the left is by Janie Stamm and work on the right is by Jon Young.

lsII.jpg
LSII_SMALL.jpg
Right Hand (Neon Yellow Janus)
Right Hand (Neon Yellow Janus)

2019-20

Feet: Cast concrete

Panel: Acrylic paint, and hard acrylic molding paste on wood panel

"6" x 8" (each panel)

3" x 2" (each foot)

The Future (Light Green Clock)
The Future (Light Green Clock)
The River City, St. Louis: My Home 2011-2021 (Light Green)
The River City, St. Louis: My Home 2011-2021 (Light Green)
Your Aging Body Has Become Part of the Work (Green)
Your Aging Body Has Become Part of the Work (Green)
I Want to Believe This Means Something (Blue)
I Want to Believe This Means Something (Blue)
I Pulled Out A Long Ass Hair & Pretended It Was From You (Ultramarine)
I Pulled Out A Long Ass Hair & Pretended It Was From You (Ultramarine)
Your Inky Cunt (Violet)
Your Inky Cunt (Violet)
We Love ❤️ Endless Wars Without Bodies (Maroon)
We Love ❤️ Endless Wars Without Bodies (Maroon)
U Never Get Free of Duchamp, He’s Always There (Red)
U Never Get Free of Duchamp, He’s Always There (Red)
CHEST-ER-WORLD Missouri: My Home 1994-2007 (Orange)
CHEST-ER-WORLD Missouri: My Home 1994-2007 (Orange)
 The Past (Tangerine Clock)
The Past (Tangerine Clock)
Left Hand (Yellow Janus)
Left Hand (Yellow Janus)
Sketches for Low Spectrum II
Sketches for Low Spectrum II
Low Spectrum II
Low Spectrum II
Low Spectrum II
Low Spectrum II
Low Spectrum II
lsII.jpg
LSII_SMALL.jpg
Right Hand (Neon Yellow Janus)
The Future (Light Green Clock)
The River City, St. Louis: My Home 2011-2021 (Light Green)
Your Aging Body Has Become Part of the Work (Green)
I Want to Believe This Means Something (Blue)
I Pulled Out A Long Ass Hair & Pretended It Was From You (Ultramarine)
Your Inky Cunt (Violet)
We Love ❤️ Endless Wars Without Bodies (Maroon)
U Never Get Free of Duchamp, He’s Always There (Red)
CHEST-ER-WORLD Missouri: My Home 1994-2007 (Orange)
 The Past (Tangerine Clock)
Left Hand (Yellow Janus)
Sketches for Low Spectrum II
Low Spectrum II

2019-20

Concrete, acrylic paint, and hard acrylic molding paste on wood panel, shelf, house paint

13" x 96" (installation) 6" x 8" (each panel) 3" x 2" (each foot)

All Photos by Jennifer Colten

Low Spectrum II

With this work, I created a series of 13 text paintings placed onto feet fabricated by Erik Peterson. The series color palette is based on the one created by Ellsworth Kelly in his series Spectrum II (1966-67), which can be found at the St. Louis Art Museum. The work responds to Kelly’s notion that “color is enough” when it comes to bringing out an emotional response from the viewer.

Low Spectrum II

I’ve always believed that most viewers make meaning or narrative when confronted by work that presents none. The text paintings' sources are as varied as articles about AndreaFraser and David Hammons, my own life/artwork, misremembered lines from poetry and short stories, and museum text panels. 

Low Spectrum II

The series was originally made for an exhibition I curated at Monaco, an artist-run space I help run. The gallery is located at 2701 Cherokee St, St. Louis. The exhibition ran from February 7 - March 6th.

Low Spectrum II

How the work was installed. Work on the left is by Janie Stamm and work on the right is by Jon Young.

Right Hand (Neon Yellow Janus)

2019-20

Feet: Cast concrete

Panel: Acrylic paint, and hard acrylic molding paste on wood panel

"6" x 8" (each panel)

3" x 2" (each foot)

The Future (Light Green Clock)
The River City, St. Louis: My Home 2011-2021 (Light Green)
Your Aging Body Has Become Part of the Work (Green)
I Want to Believe This Means Something (Blue)
I Pulled Out A Long Ass Hair & Pretended It Was From You (Ultramarine)
Your Inky Cunt (Violet)
We Love ❤️ Endless Wars Without Bodies (Maroon)
U Never Get Free of Duchamp, He’s Always There (Red)
CHEST-ER-WORLD Missouri: My Home 1994-2007 (Orange)
The Past (Tangerine Clock)
Left Hand (Yellow Janus)
Sketches for Low Spectrum II
show thumbnails